Steenie or Redgauntlet Pursued by a Ghost - Ferdinand-Victor-Eugène Delacroix
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Description
A striking lithograph by Eugène Delacroix featuring an inverted reflection of riders, inspired by Sir Walter Scott's novel Redgauntlet.
This lithograph by Eugène Delacroix depicts a scene inspired by Sir Walter Scott's novel, Redgauntlet. The composition is notable for its experimental layout, featuring a primary image of two riders on horseback followed by an inverted reflection of the same figures below. This doubling effect creates a sense of spectral unease, aligning with the narrative of a character pursued by supernatural forces.
Delacroix, a central figure in the French Romantic movement, frequently turned to literature for his subject matter. His approach to printmaking often involved a fluid, expressive line that captured movement and psychological tension. In this work, the horses are rendered with dynamic energy, their forms suggesting rapid motion across the ground. The inclusion of the inverted image serves as a visual device to suggest the uncanny nature of the encounter, rather than a literal reflection in water.
The print demonstrates Delacroix's technical proficiency with lithography, a medium that allowed him to maintain the spontaneity of his drawings. The contrast between the light ground and the darker, hatched forms of the horses and riders provides a clear sense of volume and depth. The artist's signature is visible in the centre of the composition, integrated into the space between the two sets of figures. This piece offers insight into the artist's interest in the intersection of narrative fiction and visual art, showing how he translated the dramatic atmosphere of Scott's writing into a graphic format. The work remains a study in how print techniques can be manipulated to convey themes of haunting and pursuit.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Steenie or Redgauntlet Pursued by a Ghost - Ferdinand-Victor-Eugène Delacroix
Artist Biography
Eugene Delacroix
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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