Sterfbed van Ignatius - Theodoor Galle
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed seventeenth-century Flemish engraving depicting the death of Saint Ignatius of Loyola, featuring multiple narrative scenes and Latin inscriptions.
This engraving depicts the final moments of Saint Ignatius of Loyola, the founder of the Jesuit order. The composition is divided into distinct narrative zones, a common technique in early seventeenth-century Flemish printmaking. The central scene shows the saint on his deathbed, clutching a crucifix while a beam of light, inscribed with the name 'IESVS', emanates from his mouth towards a celestial vision of angels. Surrounding the bed, a group of clerics observe the scene in prayer, their figures rendered with precise hatching to define the folds of their vestments.
To the right, a secondary scene shows a papal audience, providing context to the saint's spiritual authority. Above the bed, an inset panel illustrates a simultaneous event, showing a vision of the saint appearing to a woman in Bologna. This use of multiple registers allows the artist to convey complex hagiographic information within a single frame. The work is attributed to the Galle family workshop, a prolific centre for print production in Antwerp during the Counter-Reformation. The engraving style is characteristic of the period, utilising controlled line work to create volume and depth, while the inclusion of Latin captions at the base provides a clear didactic purpose for the viewer.
As a piece of religious iconography, the print serves to document the life and miraculous death of Ignatius. The technical execution reflects the high standards of the Antwerp school, where engravers often collaborated with painters to disseminate religious imagery across Europe. The clarity of the lines and the balanced arrangement of the figures demonstrate the technical rigour applied to devotional prints of this era. This print remains a clear example of how narrative art was utilised to communicate theological concepts to a wider audience during the seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sterfbed van Ignatius - Theodoor Galle
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

