Still Life, Tin of Tea and Pot of Tobacco - Roger de La Fresnaye
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Description
A 1913 charcoal drawing by Roger de La Fresnaye, featuring a geometric arrangement of household objects in a distinct Cubist style.
Roger de La Fresnaye produced this work in 1913, a period when his engagement with the formal innovations of Cubism reached a high level of clarity. The composition focuses on everyday domestic objects, specifically a tin of tea and a tobacco pot, arranged upon a surface. Rather than attempting a realistic depiction, the artist breaks these forms into geometric components, prioritising the structural relationship between the items over their literal appearance.
The drawing demonstrates a restrained approach to volume and space. La Fresnaye uses charcoal to establish deep, dark shadows that contrast against the lighter areas of the paper. This technique flattens the pictorial plane, a common strategy among artists associated with the Section d'Or group. The lines are deliberate and sparse, defining the edges of the containers and the rectangular forms that anchor the composition. By reducing the objects to their essential shapes, the artist invites the viewer to consider the arrangement as a series of balanced masses rather than a collection of functional items.
This piece reflects the broader experimentation occurring in Paris during the early twentieth century. La Fresnaye maintained a distinct style that bridged the gap between the analytical rigour of early Cubism and a more decorative, lyrical sensibility. The work is devoid of unnecessary detail, allowing the interplay of light and shadow to dictate the visual experience. It serves as an example of how the artist translated the three-dimensional world into a two-dimensional graphic language. The signature and date in the lower right corner confirm its provenance within his 1913 output, a year that marked his transition toward more synthetic forms of expression. The monochromatic nature of the medium emphasises the strength of the composition and the artist's control over tonal values.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life, Tin of Tea and Pot of Tobacco - Roger de La Fresnaye
Artist Biography
Roger De La Fresnaye
He was born in Le Mans in 1885 into an aristocratic family with an ancestral chateau in Falaise. He studied at the Academie Julian, the Ecole des Beaux-Arts and the Ranson Academy under Maurice Denis, moving from Symbolism to Cubism around 1910. He joined the Section d'Or group in 1912, exhibiting alongside Duchamp, Gleizes and Metzinger at Jacques Villon's studio.
His Cubism was always temperate. He never fully embraced the radical fragmentation of Braque and Picasso, retaining naturalistic colour and recognisable forms that helped popularise the movement without terrifying bourgeois audiences. The restraint was both a strength and a limitation: it made his work accessible, but it meant that the avant-garde moved past him before the war intervened. His colour remained lyrical and warm where analytical Cubism was grey and cerebral. He came from aristocratic stock, painted with aristocratic moderation, and died too young to see whether the moderation would have held.
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