Stilleven met rozen - Elias van den Broeck
Archival giclée
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Description
A classic Dutch Golden Age still life featuring roses, a snail, and a butterfly, rendered with the precise detail and atmospheric lighting of the late seventeenth century.
Elias van den Broeck, a Dutch painter active during the late seventeenth century, specialised in the genre of floral still life. This composition demonstrates the characteristic focus on botanical accuracy and symbolic detail common to the period. The arrangement features a central cluster of roses, ranging from fully bloomed pale pink petals to a singular, striking orange-red blossom. The foliage is rendered with careful attention to texture, showing signs of natural decay and insect activity, which were common motifs in Dutch vanitas painting to represent the fleeting nature of life.
The dark, atmospheric background provides a stark contrast to the illuminated flowers, drawing the viewer's eye to the delicate play of light across the petals. A small snail crawls along the stone ledge, while a butterfly rests nearby, adding a sense of quiet movement to the scene. Van den Broeck was a pupil of Cornelis Kick and later worked in Amsterdam, where he developed a reputation for his precise handling of light and shadow. His work often incorporated small creatures or insects, a technique that added a layer of narrative interest to the static floral display.
This print captures the fine craquelure of the original oil painting, preserving the historical character of the surface. The composition is balanced, with the weight of the flowers offset by the dark, empty space surrounding them. It is a classic example of the Dutch tradition of observing nature with scientific curiosity and aesthetic refinement. The muted colour palette, dominated by deep shadows and earthy greens, allows the subtle variations in the rose petals to emerge with clarity. This piece is suitable for those who appreciate the technical discipline and quiet observation inherent in seventeenth-century European painting.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Stilleven met rozen - Elias van den Broeck
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