Stilleven met vruchten - Johannes Hannot
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Description
A classic Dutch Golden Age still life by Johannes Hannot, featuring a detailed arrangement of fruit, a silver platter, and a peeled lemon.
Johannes Hannot, a painter active in Leiden during the seventeenth century, produced this work in 1666. The composition follows the conventions of Dutch Golden Age still life painting, where the arrangement of perishable goods serves as a study of light, texture, and form. Hannot focuses on the tactile qualities of the fruit, from the translucent skin of the grapes to the porous surface of the peeled lemon.
The arrangement is set against a dark, neutral background, which directs the viewer's attention to the illuminated objects on the table. A silver platter holds the primary collection of fruit, including peaches, grapes, and a split fig. The lemon, partially peeled with its zest spiralling downwards, provides a sense of movement and depth to the foreground. To the left, a cluster of cherries hangs over the edge of the wooden table, adding a vertical element to the composition. A blue velvet cloth with a gold fringe is draped beneath the platter, introducing a soft, textile contrast to the smooth surfaces of the fruit.
Technically, the painting demonstrates the precision characteristic of the period. The artist employs a controlled palette, using the dark background to create a strong chiaroscuro effect. This technique allows the light to catch the moisture on the fruit and the metallic sheen of the platter. The inclusion of a glass vessel in the upper portion of the frame adds a further layer of complexity, as the artist captures the way light interacts with transparent materials. This work reflects the interest of Dutch painters in documenting the material world with scientific accuracy, while simultaneously creating a balanced and harmonious visual experience for the observer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Stilleven met vruchten - Johannes Hannot
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