Straattafereel Batavia - Jan Brandes
Archival giclée
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Description
A detailed pen and ink study by Jan Brandes, documenting a street scene in Batavia during the late eighteenth century.
Jan Brandes, a Dutch clergyman and amateur artist, spent significant time in the East Indies during the late eighteenth century. This work, titled Straattafereel Batavia, captures a specific moment of colonial life in what is now Jakarta. The composition is notable for its sparse use of the page, focusing the viewer's attention on a small cluster of figures gathered near a tree on the left side of the frame. The remainder of the paper is left largely empty, a common feature in Brandes's sketchbooks, which functioned as personal visual diaries of his travels and observations.
The figures are rendered with fine, precise pen lines, characteristic of the period's documentary style. Brandes records the varied attire and social interactions of the local population and colonial officials with a clinical, observational eye. The ink work is delicate, showing the artist's interest in recording ethnographic detail rather than creating a finished, atmospheric painting. The paper itself shows signs of age, with foxing and discolouration that provide a sense of the physical history of the original document.
As a historical record, this drawing offers a glimpse into the social stratification and daily rhythms of Batavia under the Dutch East India Company. Brandes was meticulous in his documentation, often adding annotations to his sketches to clarify the subjects depicted. This print preserves the original character of the sketch, maintaining the faint pencil under-drawings and the specific quality of the ink lines. It is a piece for those interested in the history of exploration, colonial documentation, and the intersection of art and travel writing in the eighteenth century. The work avoids romanticisation, presenting the scene with a directness that reflects the artist's role as an observer of a foreign culture.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Straattafereel Batavia - Jan Brandes
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