Street in Auvers-sur-Oise - Vincent van Gogh
Archival giclée
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Description
A late-period work by Vincent van Gogh, capturing the rustic architecture and rural atmosphere of Auvers-sur-Oise through expressive, textured brushwork.
Painted during the final months of his life in Auvers-sur-Oise, this work captures the rural character of the French village. Van Gogh arrived in this region in May 1890, seeking medical care and a quieter environment after his time in Saint-Rémy. The composition focuses on the rustic architecture of the village, featuring houses with prominent red-tiled roofs and stone walls.
The application of paint is characteristic of his late period, utilising thick, directional brushstrokes that define the forms of the buildings and the surrounding foliage. The sky is rendered with short, rhythmic dashes of blue and white, creating a sense of movement above the static structures. The palette relies on strong contrasts, particularly between the terracotta tones of the roofs and the deep greens of the vegetation.
Van Gogh often sought to capture the essence of his surroundings through a subjective lens, prioritising emotional resonance over photographic accuracy. The path leading into the centre of the frame draws the viewer into the scene, while the heavy outlines and textured surfaces provide a tactile quality to the image. This piece reflects his ongoing exploration of colour theory and his ability to transform ordinary village scenes into studies of light and form. The work remains a primary example of his output during his brief stay in Auvers, where he produced numerous canvases depicting the local architecture and fields before his death in July 1890.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Street in Auvers-sur-Oise - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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