Sturio sive Acipenser - Jacques van Merlen
Archival giclée
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Description
A detailed seventeenth-century etching by Jacques van Merlen depicting a sturgeon on a shoreline, set against a coastal scene with ships and a fortress.
This etching by Jacques van Merlen, titled 'Sturio sive Acipenser', presents a detailed study of a sturgeon resting upon a shoreline. The work belongs to the tradition of seventeenth-century natural history illustration, where scientific curiosity met the artistic conventions of the period. The central subject is rendered with careful attention to the bony scutes and elongated snout characteristic of the species, occupying the foreground with a sense of physical presence.
The background provides a wider maritime context. A coastal scene unfolds with sailing vessels, a distant fortress perched upon a cliff, and figures attending to fishing nets. This juxtaposition of the specimen with a busy harbour environment suggests the intersection of marine biology and human industry. The artist employs a variety of hatching techniques to define the textures of the fish, the sand, and the distant water, creating a clear distinction between the immediate subject and the atmospheric horizon.
Jacques van Merlen, a Flemish engraver and publisher active in Paris, produced works that often circulated as part of larger series documenting natural phenomena or topographical views. The inclusion of Latin and French titles at the base, alongside the 'Cum privil. Regis' notation, indicates the print was intended for a formal audience, likely collectors or scholars interested in the natural world. The composition balances the anatomical focus on the sturgeon with the narrative elements of the coastal setting, providing a view into how the natural world was categorised and visualised during the mid-seventeenth century. The print remains a clear example of the technical precision achieved by Flemish printmakers of the era, who combined observational skill with the established aesthetic of the Baroque period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sturio sive Acipenser - Jacques van Merlen
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