Submarines in Dry Dock - Eric Ravilious
Archival giclée
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Description
A precise 1940 watercolour by Eric Ravilious, depicting naval machinery with the artist's signature graphic clarity and rhythmic texture.
Eric Ravilious produced this work during his tenure as an Official War Artist in 1940. The composition captures the technical environment of the Royal Navy with the characteristic precision and graphic clarity associated with his output. Ravilious utilised a distinct method of layering watercolour, often employing stippling and fine hatching to build texture across the surfaces of the machinery and the surrounding water.
The scene focuses on the mechanical form of the submarine equipment, rendered with a sense of detachment that contrasts with the atmospheric treatment of the sea and sky. His approach to light is deliberate, creating a structured interplay between the shadows cast on the deck and the reflective quality of the water. This work reflects the artist's interest in industrial design and the geometric shapes found within naval architecture.
Unlike traditional maritime painting, which often prioritises dramatic narrative, this piece maintains a quiet, observational quality. The inclusion of specific naval hardware, such as the bollards and the lifebuoy, provides a sense of scale and reality. The palette remains controlled, relying on muted blues, greys, and ochres to convey the conditions of the North Sea. Ravilious was known for his ability to translate complex industrial subjects into balanced, rhythmic compositions. This particular study demonstrates his skill in applying the techniques of printmaking and illustration to the medium of watercolour, resulting in a work that is both descriptive and stylistically unified.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Submarines in Dry Dock - Eric Ravilious
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