Sword of François I - Jules Ferdinand Jacquemart
Archival giclée
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Description
A precise etching by Jules Ferdinand Jacquemart documenting the ceremonial sword of King François I, showcasing the fine detail of Renaissance metalwork.
This etching by Jules Ferdinand Jacquemart documents the ceremonial sword of King François I, a piece held within the collections of the Musée du Louvre. Jacquemart, a master of the etching medium, specialised in the precise reproduction of decorative arts and historical artefacts. His work often appeared in publications such as 'Histoire de la joaillerie' and 'Les Gemmes et Joyaux de la couronne'.
The print captures the weapon with clinical accuracy. The composition is centred, presenting the sword in a vertical orientation against a neutral background. Jacquemart employs a refined line quality to delineate the metallic surfaces, the spiral-fluted grip, and the ornate pommel. The crossguard bears the Latin inscription 'IN BRACHIO SVO', rendered with clarity to reflect the original craftsmanship of the Renaissance period. The artist uses varied hatching techniques to suggest the reflective properties of steel and gold, demonstrating his technical control over the copper plate.
Jacquemart was known for his ability to translate the three-dimensional qualities of metalwork into two-dimensional prints. This specific work reflects the nineteenth-century interest in cataloguing and preserving historical objects through high-quality graphic reproduction. The print serves as a record of the object's physical state during the mid-nineteenth century, capturing the texture of the metal and the specific decorative motifs of the hilt. The inclusion of the museum heading at the top indicates its origin as part of a formal documentation project. This print is a study in material representation, focusing on the interplay of light and shadow across the complex surfaces of the sword. It remains a reference for those interested in the history of arms and armour, as well as the history of printmaking techniques.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sword of François I - Jules Ferdinand Jacquemart
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