Swords and Daggers of the 16th Century - Jules Ferdinand Jacquemart
Archival giclée
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Description
A precise etching by Jules Ferdinand Jacquemart documenting sixteenth-century weaponry with technical accuracy and clean, minimal composition.
Jules Ferdinand Jacquemart was a French etcher and watercolourist, widely recognised for his technical precision in documenting decorative arts and historical weaponry. This etching displays a collection of sixteenth-century swords and daggers, rendered with a focus on the structural form and material qualities of the metalwork. Jacquemart often collaborated with his father, Albert Jacquemart, to produce illustrations for catalogues of private collections and museum archives.
The composition is organised in a systematic, typological arrangement. Each blade is depicted in isolation against a neutral background, allowing the viewer to observe the specific design of the hilts, pommels, and crossguards. The artist employs fine, controlled lines to suggest the texture of steel and the weight of the objects. By avoiding decorative flourishes, the work maintains a clinical, objective quality that aligns with the nineteenth-century interest in the classification of historical artefacts.
Jacquemart’s approach to printmaking involved a mastery of the etching needle, which allowed him to capture the subtle reflections and contours of the metal surfaces. This print reflects the period's broader fascination with historical craftsmanship and the preservation of material culture through high-quality reproduction. The work is representative of the era's archival efforts, where the goal was to provide an accurate visual record for scholars and collectors. The clarity of the line work and the balanced distribution of the weapons across the page demonstrate the artist's ability to translate three-dimensional objects into a two-dimensional medium without losing the sense of physical presence. This print remains a useful reference for those interested in the history of arms and armour, as well as the history of printmaking techniques in the nineteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Swords and Daggers of the 16th Century - Jules Ferdinand Jacquemart
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