Tantalus - Francisco de Goya
Archival giclée
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Description
A haunting etching from Goya's Los Desastres de la Guerra series, depicting the human suffering and despair caused by the Peninsular War.
This print is plate 9 from the series Los Desastres de la Guerra (The Disasters of War) by Francisco de Goya. The artist produced these works between 1810 and 1823, documenting the violence of the Peninsular War and the subsequent famine in Spain.
The composition depicts a man in a state of despair, clutching his head while leaning over a recumbent female figure. The title refers to the Greek mythological figure Tantalus, who was punished with eternal hunger and thirst, unable to reach the sustenance placed before him. Goya uses this classical allusion to comment on the suffering of the civilian population during the conflict. The figures are rendered with sharp, economical lines, while the aquatint provides a tonal depth that creates a somber, atmospheric quality.
Goya moved away from the traditional heroic depictions of war common in his era. Instead, he focused on the physical and psychological toll of the conflict on individuals. The stark contrast between the light and dark areas of the print directs the viewer's attention to the emotional weight of the scene. The man's posture suggests a profound sense of helplessness, while the woman appears lifeless, her form draped across the ground. This work demonstrates Goya's technical mastery of printmaking, particularly his use of aquatint to create shadow and texture. The series remains a significant record of the human cost of war, stripped of any glorification or patriotic sentiment. The print is a stark observation of misery, presented with the directness that characterises Goya's later graphic work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tantalus - Francisco de Goya
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