Tao Yuanming Enjoying Chrysanthemums - Du Jin
Archival giclée
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Description
A traditional ink-wash painting by Ming Dynasty artist Du Jin, depicting the poet Tao Yuanming in a contemplative moment among pine trees and chrysanthemums.
This hanging scroll depicts the poet Tao Yuanming, a figure celebrated in Chinese history for his decision to abandon a government career in favour of a secluded life in nature. Du Jin, an artist active during the Ming Dynasty, employs a refined ink-wash technique to capture the scholar in a moment of quiet contemplation. The composition is dominated by a gnarled pine tree, which serves as a traditional symbol of longevity and moral integrity. Tao Yuanming stands near the base of the tree, his posture relaxed as he observes the chrysanthemums, flowers long associated with his persona and his preference for a simple, reclusive existence.
The brushwork demonstrates the technical precision characteristic of Du Jin's approach to figure and nature studies. The artist uses varied line weights to define the texture of the pine bark and the flowing robes of the scholar. The negative space in the upper portion of the scroll provides a sense of atmospheric depth, allowing the viewer to focus on the interaction between the human subject and his natural surroundings. Calligraphic inscriptions at the top of the work provide context, linking the visual imagery to the literary tradition surrounding Tao Yuanming.
Du Jin was known for his ability to integrate figure painting with traditional mountain-and-water themes. This work reflects the values of the scholar-official class, who often looked to historical figures like Tao Yuanming as models for personal conduct. By focusing on the act of viewing flowers, the artist creates a scene that is both narrative and meditative. The muted palette, consisting primarily of ink tones on aged paper, maintains the focus on the form and the symbolic weight of the elements depicted. This print offers a clear view of the brushwork and the subtle tonal shifts that define the original composition.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tao Yuanming Enjoying Chrysanthemums - Du Jin
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