Tapuit (Northern Wheatear) - Pieter Holsteyn (I)
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A precise seventeenth-century natural history study of a Northern Wheatear by Dutch artist Pieter Holsteyn (I), rendered in watercolour and gouache.
This study of a Northern Wheatear, known in Dutch as a 'Tapuit', is a characteristic example of the natural history illustrations produced by Pieter Holsteyn (I) during the seventeenth century. Holsteyn was a prolific draughtsman and printmaker based in Haarlem, where he contributed to the growing scientific interest in documenting the natural world. His work often focused on birds, insects, and mammals, rendered with a precision that balanced aesthetic appeal with biological observation.
The composition is spare, placing the bird in profile upon a simple, low mound. This approach allows the viewer to focus entirely on the plumage and physical structure of the subject. Holsteyn employs a muted palette of greys, browns, and soft ochres, which accurately reflects the natural colouring of the Northern Wheatear. The application of watercolour and gouache provides a subtle texture to the feathers, while the fine, controlled lines define the bird's form against the plain background. The inscription 'Duin petter' refers to the bird's habitat, as these birds are frequently found in coastal dune environments.
Unlike the more dramatic or allegorical animal paintings of the period, this work is purely descriptive. It belongs to a tradition of scientific recording that flourished in the Netherlands, where collectors and naturalists commissioned artists to create accurate visual catalogues of fauna. The clarity of the image and the lack of extraneous detail demonstrate the artist's objective approach to his subject matter. This print offers a glimpse into the intersection of art and early modern science, capturing the essence of the bird with economy and technical skill.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tapuit (Northern Wheatear) - Pieter Holsteyn (I)
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

