Tempel van Dakka - Francis Frith
Archival giclée
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Description
A nineteenth-century stereoscopic photograph of the Temple of Dakka in Egypt, captured by British photographer Francis Frith during his 1857 expedition.
This stereoscopic photograph by Francis Frith captures the Temple of Dakka in Nubia, Egypt. Frith, a prominent British photographer, undertook three major expeditions to the Middle East during the 1850s. His work provided the Victorian public with their first accurate visual records of ancient Egyptian monuments. The stereoscopic format, consisting of two nearly identical images mounted side by side, was designed to be viewed through a stereoscope to create a three-dimensional effect. This technology was popular in the nineteenth century for its ability to transport viewers to distant locations.
The composition frames the temple interior through a stone doorway, using the heavy masonry to create a sense of scale. A figure stands to the left, providing a human reference point against the massive stone blocks. The lighting emphasises the texture of the weathered stone and the deep shadows within the structure. Frith utilised the wet collodion process, which required the glass plates to be prepared, exposed, and developed while still damp. This technical challenge was significant in the harsh, arid conditions of the Egyptian desert. The resulting images are noted for their clarity and precision, qualities that helped define the aesthetic of travel photography in the mid-nineteenth century.
Frith's documentation of the Temple of Dakka remains a valuable historical record, particularly as many such sites have since been altered or submerged due to the construction of the Aswan High Dam. His photographs were widely distributed, appearing in various publications and collections that fed the era's fascination with archaeology and foreign travel. This print reflects the intersection of scientific documentation and artistic composition, capturing the physical reality of the site while maintaining a formal balance in its framing.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tempel van Dakka - Francis Frith
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