Temple of Kalabsha, Egypt - Francis Frith
Archival giclée
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Description
A detailed 1857 stereoscopic photograph by Francis Frith documenting the ancient Temple of Kalabsha in Egypt.
This stereoscopic photograph captures the Temple of Kalabsha in Nubia, Egypt, as documented by Francis Frith during his second expedition to the region in the late 1850s. Frith, a pioneer in commercial travel photography, utilised the wet collodion process to record the ancient structures of the Nile Valley. The image displays the temple's colonnade, which exhibits the characteristic sandstone masonry of the Roman-era construction.
In the foreground, a figure stands amidst the debris of the site, providing a sense of scale against the massive stone blocks. The composition is typical of Frith's work, which sought to document archaeological sites with clarity and precision for a Victorian audience fascinated by the history of the Near East. The stereoscopic format, intended for viewing through a handheld device, creates a three-dimensional effect that was popular in the mid-nineteenth century.
Frith's documentation of Kalabsha is notable for its technical execution under the challenging conditions of the Egyptian climate. The heat often caused the collodion to dry prematurely, yet Frith managed to produce clear, detailed negatives that were later printed as albumen photographs. This print reflects the aesthetic of the period, where the focus remained on the physical reality of the ruins rather than romanticised interpretations. The inclusion of the photographer's signature and plate number, 316, is characteristic of his systematic approach to cataloguing his travels. This image remains a primary record of the site before its later relocation during the construction of the Aswan High Dam.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Temple of Kalabsha, Egypt - Francis Frith
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