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Museum-grade giclée on FSC-certified paper Framed prints arrive ready to hang Secure checkout Faulty or damaged? We'll replace it free A British studio, printing worldwide

Temples at Maharraka, in Nubia - Francis Frith

Regular price  $220.00 NZD
Sale price  $220.00 NZD Regular price 
Product: Fine Art Framed
Size: A4 (21x29.7 cm)
Frame: Black frame
Made to order near you · delivery in 5 to 7 business days

Archival giclée · Damage-free delivery guarantee

Buy any 3 full-price artworks, save 15%

Mix artists, sizes and finishes. Sale items excluded. Discount applied automatically at checkout.

Archival giclée

Frames arrive ready to hang

Secure checkout

Made to order

Description

A nineteenth-century stereoscopic photograph by Francis Frith documenting the ruins of the Temple of Maharraqa in Nubia.

This stereoscopic photograph captures the ruins of the Temple of Maharraqa in Nubia, a site that dates back to the Roman period in Egypt. Francis Frith, a pioneer of travel photography, produced this image during his second expedition to the region in the late 1850s. The composition presents the temple structure in a state of partial collapse, with its distinct columns and masonry partially buried by the encroaching desert sands.

Two figures stand in the foreground, providing a sense of scale to the massive stone blocks and the architectural remains. The inclusion of these individuals, dressed in contemporary Victorian attire, creates a contrast between the modern observer and the ancient surroundings. This was a common technique in nineteenth-century travel photography, intended to ground the viewer in the physical reality of the location while documenting the state of archaeological sites before modern preservation efforts.

Frith utilised the wet collodion process, which required the preparation of glass plates on-site. This technical challenge makes the clarity of the architectural details, such as the fluting on the columns and the texture of the weathered stone, particularly impressive. The stereoscopic format, designed for viewing through a stereoscope, provides a three-dimensional effect that was highly popular among Victorian audiences eager to explore distant lands from their own homes.

This print offers a historical record of the temple as it appeared in the mid-nineteenth century. It documents the architectural features of the site, which was later relocated during the UNESCO campaign to save monuments threatened by the construction of the Aswan High Dam. The image remains a primary source for understanding the documentation of Egyptian antiquities during the Victorian era, reflecting the period's fascination with archaeology and the expansion of travel photography.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Care and materials

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Multiple sizes and framing options available
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang

Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands

Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white
Complete The Look
Temples at Maharraka, in Nubia - Francis Frith - Framed Print Black

Temples at Maharraka, in Nubia - Francis Frith

Regular price  From $220.00 NZD
Sale price  From $220.00 NZD Regular price 
Fine Art Framed / A4 (21x29.7 cm) / Black frame

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

Modern & timeless design

Curated collections that balance trend and longevity.

Crafted with care

Carefully inspected and finished before shipping.

Damage-free delivery guarantee

Fast Shipping

Museum-Quality Materials

Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

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