The Annunciation and The Nativity - Jaume Ferrer the Younger
Archival giclée
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Description
A fifteenth-century Catalan diptych featuring the Annunciation and the Nativity, rendered in tempera and gold leaf.
This diptych by Jaume Ferrer the Younger represents the International Gothic style prevalent in Catalonia during the mid-fifteenth century. The work is divided into two distinct scenes: the Annunciation on the left and the Nativity on the right. Both panels utilise tempera and gold leaf, a technique common to the period, which provides a luminous quality to the backgrounds and the halos of the figures.
In the Annunciation, the Virgin Mary is depicted in a domestic interior, her dark blue mantle adorned with a repeating crown motif. The Archangel Gabriel stands opposite her, holding a scroll, while angels appear in the upper register. The spatial arrangement is flattened, typical of the era, prioritising symbolic clarity over realistic perspective. The floor tiles and the architectural elements provide a sense of order to the composition.
The Nativity panel shows the Holy Family within a rustic structure. The figures of Joseph and Mary are positioned around the infant Jesus, who lies in a woven cradle. The inclusion of the ox and the donkey, traditional elements of the Nativity, adds to the narrative detail. The use of gold leaf in the upper portions of both panels creates a decorative surface that unifies the two scenes. The figures possess a linear quality, with drapery folds rendered in a stylised manner. This work reflects the artistic conventions of the Catalan school, where religious narratives were presented with a focus on ornamental detail and devotional clarity. The preservation of the gold leaf and the application of pigment demonstrate the technical skill involved in creating such altarpiece components during the late medieval period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Annunciation and The Nativity - Jaume Ferrer the Younger
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