The Annunciation - Schelte Adamsz. Bolswert
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A masterful Baroque engraving by Schelte Adamsz. Bolswert, depicting the Annunciation with dramatic light and technical precision.
This engraving by Schelte Adamsz. Bolswert depicts the biblical scene of the Annunciation. Bolswert, a master of the burin, was closely associated with the workshop of Peter Paul Rubens, and his technical approach reflects the dramatic chiaroscuro and fluid movement characteristic of the Flemish Baroque. The composition is structured around the interaction between the Archangel Gabriel and the Virgin Mary. Gabriel, positioned on the left, gestures towards Mary, who sits at a lectern with an open book. A lamp burns between them, providing a source of light that interacts with the divine radiance emanating from the dove above.
The print demonstrates the technical precision for which Bolswert is known. He employs a variety of hatching and cross-hatching techniques to define the textures of the drapery, the soft clouds, and the ethereal light descending from the heavens. The figures are rendered with a sense of weight and volume, typical of the period, while the surrounding space is filled with atmospheric depth. The inclusion of putti in the upper register adds a sense of celestial activity, balancing the quiet intensity of the encounter below.
Bolswert was instrumental in translating the painterly qualities of Rubens and his contemporaries into the medium of print. His ability to capture the tonal range of oil paintings through black and white lines allowed these compositions to reach a wider audience across Europe. This work is a clear example of the collaborative nature of seventeenth-century printmaking, where the engraver acted as both interpreter and craftsman. The focus remains on the narrative clarity of the event, presented with the theatricality and emotional engagement expected of Baroque religious art. The print serves as a record of the period's aesthetic priorities, where technical mastery was directed towards the articulation of spiritual themes through light, shadow, and form.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Annunciation - Schelte Adamsz. Bolswert
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

