The Ascension of Enoch - Hieronymus Wierix
Archival giclée
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Description
A detailed Flemish engraving by Hieronymus Wierix depicting the biblical ascension of Enoch, rendered with the technical precision of the late Renaissance.
This engraving by Hieronymus Wierix depicts the biblical account of Enoch, who is taken up into the heavens. Wierix, a member of a prominent family of engravers in Antwerp, demonstrates his technical precision through the use of fine cross-hatching and varied line weights to define the musculature of the figures and the billowing clouds. The composition follows the conventions of late sixteenth-century Northern Mannerism, where the human form is rendered with exaggerated anatomical detail and dynamic, twisting poses.
In the centre of the frame, Enoch ascends into a cloud formation, his body angled in a contrapposto stance that suggests movement and divine intervention. Below him, a group of figures reacts to the event. Their expressions and gestures convey a mixture of awe and confusion. The foreground features a stone altar, which serves to anchor the scene and provide a sense of scale. The background includes a pastoral setting with livestock and simple dwellings, contrasting the mundane reality of earthly life with the supernatural occurrence above.
The inclusion of Latin text at the base of the print, referencing Genesis 5, provides the theological context for the image. Wierix was known for his ability to translate complex narratives into small-scale, highly detailed prints that were often collected by scholars and religious institutions. The clarity of the line work allows for a clear reading of the narrative, even within the dense arrangement of figures. This print reflects the period's interest in biblical illustration and the high level of craftsmanship associated with the Antwerp print trade during the late Renaissance. The work remains a clear example of the technical standards maintained by the Wierix workshop, which produced a vast catalogue of religious and allegorical subjects throughout the late sixteenth and early seventeenth centuries.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Ascension of Enoch - Hieronymus Wierix
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