The Banks of the Oise - Charles-Francois Daubigny
Archival giclée
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Description
A serene 1863 oil painting by Charles-Francois Daubigny, capturing the tranquil atmosphere of the River Oise with loose, observational brushwork.
Charles-Francois Daubigny was a central figure in the Barbizon School, a group of French painters who prioritised direct observation of nature. This work depicts a quiet stretch of the River Oise, a subject the artist returned to frequently throughout his career. Daubigny famously converted a small boat into a floating studio, which he named Le Botin, allowing him to navigate the river and capture the shifting light and atmosphere of the French countryside from the water level.
The composition is balanced and calm. The river occupies the lower half of the frame, acting as a mirror for the sky and the dense foliage on the far bank. The brushwork is loose and fluid, characteristic of Daubigny's later style, which moved away from the rigid academic finish of his contemporaries. He uses a palette of muted greens, earthy browns, and soft blues to convey the humidity and stillness of the afternoon. On the left bank, small figures are visible, providing a sense of scale and human presence within the natural setting. Ducks swim near the shore, adding a touch of life to the tranquil scene.
Daubigny's approach to painting outdoors, or en plein air, influenced the subsequent generation of Impressionists. His ability to render the transient effects of light on water and the soft textures of trees demonstrates his technical skill and his dedication to capturing the authentic character of the French riverbanks. This print reproduces the subtle tonal shifts of the original oil painting, maintaining the quiet, observational quality that defines Daubigny's work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Banks of the Oise - Charles-Francois Daubigny
Artist Biography
Charles Francois Daubigny
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