The Bearing of the Cross - Marcantonio Raimondi
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A detailed Renaissance engraving by Marcantonio Raimondi, depicting the biblical scene of Christ carrying the cross with technical precision.
This engraving by Marcantonio Raimondi depicts the biblical narrative of Christ carrying the cross towards Calvary. Raimondi, a figure of significant technical skill in the Italian Renaissance, is recognised for his ability to translate the compositions of painters into the medium of print. His work often involved the reproduction of designs by Raphael, though this particular composition reflects the stylistic influence of Northern European printmakers, notably Albrecht Dürer, whose woodcuts were widely circulated in Italy during this period.
The composition is crowded, focusing on the physical strain of Christ as he kneels under the weight of the timber. The surrounding figures, including soldiers and onlookers, are rendered with dense hatching and cross-hatching techniques to create volume and shadow. The architectural elements in the background, including a fortified gate and distant buildings, provide a sense of place, while the foreground figures are arranged to draw the eye towards the central action. The lines are precise, demonstrating the control required for copperplate engraving, a process that allowed for greater detail than the woodcut medium.
Raimondi was instrumental in the dissemination of Renaissance imagery across Europe. By creating prints that could be produced in multiple copies, he made complex compositions accessible to a wider audience. This print captures the dramatic tension of the scene through the use of light and shadow, as well as the expressive gestures of the figures. The work remains a clear example of the intersection between Italian Renaissance draughtsmanship and the technical rigour of the printmaking tradition. It offers a view into the methods used by artists of the sixteenth century to circulate their ideas and refine their visual language through the medium of the printed page.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Bearing of the Cross - Marcantonio Raimondi
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