The Bombardment of Naarden, April 1814 - Pieter Gerardus van Os
Archival giclée
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Description
A detailed historical depiction of the 1814 siege of Naarden, capturing the atmospheric tension of an artillery battery in action.
Pieter Gerardus van Os, a Dutch painter known for his animal studies and military scenes, captures a specific moment during the Napoleonic Wars in this work. The painting depicts the siege of the fortified town of Naarden in April 1814. At this time, French forces held the town against the coalition troops, which included Dutch, Prussian, and Russian units.
The composition focuses on an artillery battery positioned behind an earthen rampart. Soldiers are shown operating cannons, with thick plumes of white smoke rising into the overcast sky, obscuring the horizon and the town itself. The artist employs a muted, earthy palette to convey the atmosphere of the battlefield. The foreground features a trench-like depression where figures are gathered, while a mounted officer observes the action from the right side of the frame.
Van Os demonstrates a precise approach to the technical aspects of the scene, from the uniforms of the soldiers to the construction of the artillery pieces. The vast, heavy sky dominates the upper portion of the canvas, creating a sense of scale that dwarfs the human activity below. This work provides a record of the military operations that led to the eventual surrender of the French garrison. It reflects the artist's interest in documenting contemporary events with a focus on the realities of field warfare. The painting is part of the collection at the Rijksmuseum, where it is preserved as a record of the conflict that shaped the early nineteenth-century Netherlands.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Bombardment of Naarden, April 1814 - Pieter Gerardus van Os
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