The Confusion of Tongues - Hans Collaert the Elder
Archival giclée
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Description
A detailed hand-coloured engraving by Hans Collaert the Elder depicting the biblical narrative of the Tower of Babel and the confusion of languages.
This hand-coloured engraving depicts the biblical narrative of the Tower of Babel, a subject frequently explored by Northern Renaissance artists. Hans Collaert the Elder, a skilled Flemish engraver, captures the moment of divine intervention where God, surrounded by celestial figures, disrupts the construction of the tower by confounding the languages of the builders.
The composition is divided into distinct zones. In the foreground, a group of figures in classical-style robes react with confusion and alarm, their gestures conveying the sudden breakdown of communication. To the right, a procession of figures accompanied by an elephant and camels suggests the dispersal of the people across the earth. The central focus is the massive, multi-tiered tower, which dominates the horizon. The architectural rendering reflects the period's fascination with classical forms, while the inclusion of exotic animals adds a layer of narrative detail common in sixteenth-century print culture.
Collaert employs a precise engraving technique, using fine lines to define the musculature of the figures and the structural details of the tower. The hand-applied colour palette, typical of prints intended for private collections or educational volumes, uses muted tones of blue, red, and ochre to differentiate the foreground actors from the distant landscape. The inclusion of Latin and French text at the base of the print provides a scriptural reference, grounding the visual narrative in the theological context of the era. This work demonstrates the technical proficiency of the Antwerp school of printmaking, which was highly active during the latter half of the sixteenth century. The print serves as a visual record of how Renaissance artists interpreted complex theological themes through the lens of contemporary architectural and ethnographic interests.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Confusion of Tongues - Hans Collaert the Elder
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