The Cup of Joseph Found in Benjamin's Sack - Giovanni Antonio da Brescia
Archival giclée
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Description
A detailed Renaissance engraving depicting the biblical discovery of Joseph's cup in Benjamin's sack, executed with precise line work and classical influence.
This engraving depicts a dramatic moment from the Old Testament narrative of Joseph and his brothers. Giovanni Antonio da Brescia, an Italian engraver active during the early sixteenth century, captures the tension as the brothers discover the silver cup hidden within Benjamin's sack. The composition is arranged horizontally, with the figures positioned across the foreground in a manner that recalls the frieze-like quality of classical relief sculpture.
The artist employs a clear, linear style, using hatching and cross-hatching to define the forms of the figures and the folds of their garments. The expressions of the brothers range from shock to despair, while the presence of the pack animals adds a sense of movement and narrative urgency to the scene. The background remains largely unadorned, allowing the focus to rest entirely upon the interaction between the figures and the discovery of the cup.
Giovanni Antonio da Brescia was influenced by the work of Andrea Mantegna, which is evident in the firm contours and the sculptural treatment of the human form. This print demonstrates the technical precision characteristic of early Italian engraving, where the artist relies on the clarity of the line to convey the emotional weight of the biblical story. The work provides an example of how Renaissance artists interpreted religious texts through a classical lens, prioritising anatomical structure and narrative coherence. The scene is devoid of excessive ornamentation, reflecting a focus on the psychological drama inherent in the biblical account. This piece is a representative example of the printmaking traditions that circulated throughout Italy during the period, offering a window into the artistic priorities of the early Renaissance.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Cup of Joseph Found in Benjamin's Sack - Giovanni Antonio da Brescia
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