The Death of Saint Ranieri - Fratelli Alinari
Archival giclée
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Description
A nineteenth-century albumen print by Fratelli Alinari documenting the fourteenth-century fresco of Saint Ranieri by Antonio Veneziano in Pisa.
This albumen print by the Fratelli Alinari studio captures the fresco cycle depicting the life and death of Saint Ranieri, located in the Camposanto Monumentale in Pisa. The original fresco was executed by the Venetian painter Antonio Veneziano during the late fourteenth century. Veneziano, active in the latter half of the 1300s, was a significant figure in the development of the Pisan school, known for his narrative clarity and attention to human emotion within religious compositions.
The photograph documents the complex scene of the saint's passing, surrounded by a crowd of mourners and ecclesiastical figures. The composition follows the conventions of the period, with figures arranged in a shallow, stage-like space that prioritises the legibility of the narrative over strict linear perspective. The architectural elements in the background, including the loggia and the distant campanile, provide a sense of place while framing the central event. The Alinari brothers, pioneers in the field of photographic documentation, were instrumental in preserving the visual record of Italian heritage sites. Their work often focused on the precise reproduction of frescoes and sculptures, providing scholars and the public with access to works that were otherwise difficult to study in situ.
This print reflects the sepia tones characteristic of nineteenth-century albumen photography. It offers a view into the state of the Camposanto frescoes before the extensive damage caused by the Second World War. The image serves as a record of the original composition, capturing the delicate line work and the spatial organisation intended by Veneziano. By focusing on the interplay between the figures and their architectural environment, the photograph allows for a detailed examination of the artist's approach to narrative painting during the Trecento period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Death of Saint Ranieri - Fratelli Alinari
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