Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Archival giclée
Frames arrive ready to hang
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A detailed sixteenth-century engraving by Philips Galle depicting a naval and land battle at Piombino, featuring dramatic figures and fortified architecture.
This engraving by Philips Galle depicts a military engagement at Piombino, a coastal town in Tuscany. The composition is structured to convey the chaos of battle, with the foreground dominated by figures in a boat, including an archer aiming his weapon towards the shore. The background provides a panoramic view of the fortified city of Plumbinum, with ships visible on the horizon, suggesting a naval conflict that has spilled onto the land. Galle, a prominent Dutch engraver and publisher based in Antwerp, often collaborated with other artists, such as Jan van der Straet (Stradanus), whose name appears on the plate. The work reflects the period interest in historical and military subjects, rendered with the precise line work characteristic of late sixteenth-century printmaking. The figures are depicted with the muscularity and dramatic poses typical of the Mannerist style, which prioritised expressive movement over strict anatomical realism. The scene is framed by a Latin inscription at the base, which provides a narrative summary of the event, describing the arrival of the Turkish fleet and their subsequent repulse by the Imperial and Etruscan forces. The use of cross-hatching and varied line weights creates a sense of depth and texture, from the ripples in the water to the architectural details of the distant city walls. This print serves as a record of contemporary European perceptions of Mediterranean conflicts during the era. It demonstrates the technical skill of the Antwerp school, which became a centre for the production and distribution of such narrative prints across the continent. The work remains a clear example of how historical events were translated into visual media for a wider audience during the Renaissance.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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Museum-Quality Materials
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