The Dormition of the Virgin - Jean Fouquet
Archival giclée
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Description
A masterful illumination from the Hours of Étienne Chevalier, depicting the Dormition of the Virgin with exquisite detail and balanced composition.
This work is a page from the Hours of Étienne Chevalier, a celebrated illuminated manuscript commissioned by the royal treasurer to the French crown. Jean Fouquet, a master of the French school, demonstrates his command of spatial composition and colour within the confines of a small vellum leaf. The scene depicts the death of the Virgin Mary, surrounded by the Apostles, while Christ appears above in a mandorla of golden light to receive her soul.
Fouquet employs a distinct division between the earthly and celestial realms. The lower portion of the composition is grounded in the physical reality of the Apostles gathered around the deathbed, their garments rendered in deep reds, greens, and blues. The figures exhibit a sense of weight and volume, reflecting the influence of Italian perspective that Fouquet encountered during his travels. In contrast, the upper portion is ethereal, dominated by the radiant gold of the mandorla and the soft, pale tones of the ascending figures. The contrast between the heavy, draped fabrics of the mourners and the luminous, weightless quality of the divine figures creates a clear narrative hierarchy.
The inclusion of Latin text at the base of the image integrates the visual narrative with the devotional function of the manuscript. Fouquet's ability to balance precise detail with a sense of monumental scale is evident in the way he manages the crowded composition, ensuring each figure remains distinct while contributing to the overall unity of the scene. The use of lapis lazuli for the deep blues and gold leaf for the celestial light provides a sense of material luxury appropriate for a commission of this status. This work remains a primary example of mid-fifteenth-century French illumination, capturing the transition from Gothic traditions toward the more naturalistic observations of the Renaissance.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Dormition of the Virgin - Jean Fouquet
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