The Dream - Henri Rousseau
Archival giclée
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Description
Henri Rousseau's final masterpiece, featuring a reclining figure in a lush, imagined jungle setting under a full moon.
The Dream is the final large-scale work completed by Henri Rousseau before his death in 1910. It depicts a reclining nude figure, Yadwigha, positioned upon a velvet sofa that appears incongruously within a dense, tropical forest. The composition is defined by a flat, decorative arrangement of foliage, which Rousseau rendered with meticulous attention to individual leaf shapes and botanical textures. Despite the lack of traditional perspective, the work possesses a clear sense of spatial layering.
Surrounding the central figure are various animals, including lions, an elephant, and a snake, all peering from the undergrowth. A musician plays a flute in the background, partially obscured by the thick vegetation. The scene is illuminated by a full moon, which casts a cool, ethereal light over the blue lotus flowers and dark green leaves. Rousseau, a self-taught painter who worked as a customs officer, drew inspiration from his visits to the Jardin des Plantes and the natural history museums in Paris. He never travelled to the tropics, relying instead on illustrated books and botanical gardens to construct his imagined worlds.
The painting is characteristic of Rousseau's approach to art, which prioritises personal vision over academic realism. His technique involves the application of thin layers of paint, resulting in a smooth, matte surface. The juxtaposition of the domestic furniture with the wild, untamed environment creates a sense of displacement. This work remains a primary example of his ability to synthesise disparate elements into a cohesive, dreamlike narrative. The clarity of the forms and the deliberate, almost childlike precision of the brushwork contribute to the unique quality of the image, which continues to be studied for its influence on the development of modern art and the surrealist movement.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Dream - Henri Rousseau
Artist Biography
Henri Rousseau
Nicknamed Le Douanier (“the Customs Officer”) due to his job on the outskirts of Paris, Rousseau only began painting seriously at age 40 and retired nine years later to pursue art full time. Though he never left France, his exotic landscapes—lush with oversized foliage and wild animals—were inspired by visits to botanical gardens, illustrated books, and stories from soldiers who had served abroad.
Rousseau believed himself to be a great realist, proudly comparing himself to Picasso. He also pioneered the "portrait landscape" genre, blending figures into rich natural backdrops. Once mocked, Rousseau is now celebrated as a visionary outsider whose work continues to inspire, including references in modern pop culture such as the film Madagascar.
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