The Ear of Grain - Joan Miró
Archival giclée
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Description
A precise, early surrealist still life by Joan Miró, featuring a metal vessel, a kitchen utensil, and a single ear of grain.
Painted during the early 1920s, The Ear of Grain is a significant example of Joan Miró's transition toward his mature, surrealist style. This work belongs to a period often described as his 'detailist' phase, where the artist applied a meticulous, almost microscopic focus to the objects within his compositions. Unlike his later, more abstract works, this piece demonstrates a disciplined approach to form and perspective.
The composition features a simple arrangement of domestic items placed upon a flat, dark surface. A lidded metal vessel sits to the left, paired with a long-handled kitchen utensil, likely a strainer or ladle. Below these objects lies a single, golden ear of grain. The contrast between the mundane, man-made tools and the organic, natural form of the grain creates a quiet tension. Miró renders these items with a high degree of precision, capturing the metallic sheen of the vessel and the delicate, linear structure of the wheat.
The background is a muted, atmospheric wash that provides little spatial depth, forcing the viewer to focus on the objects themselves. This treatment of space is characteristic of Miró's early work, where he sought to elevate ordinary subjects through careful observation and deliberate placement. The palette is restrained, relying on earthy tones and the warm, golden hue of the grain to anchor the visual experience. By isolating these objects, Miró invites a contemplation of their physical presence and their symbolic potential. This work is a clear departure from the more chaotic, gestural paintings that would define his later career, offering instead a moment of stillness and clarity. It remains a study in how the artist balanced his rigorous training with an emerging interest in the poetic possibilities of everyday life.
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- Archival matte fine-art paper, FSC-certified
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Ear of Grain - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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