The Egyptian Obelisk in the Piazza di S. Giovanni Laterano - Giovanni Battista Piranesi
Archival giclée
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Description
A detailed etching by Giovanni Battista Piranesi depicting the Lateran Obelisk in Rome, showcasing his mastery of architectural line work and atmospheric composition.
This etching by Giovanni Battista Piranesi captures the Lateran Obelisk, the tallest ancient Egyptian obelisk in Rome, situated in the Piazza di San Giovanni in Laterano. Piranesi, a trained architect and master printmaker, utilised his command of the etching needle to document the physical reality of Roman antiquities. The composition balances the verticality of the granite monolith with the surrounding urban environment, including the Palazzo del Laterano.
Piranesi employs a sophisticated range of line weights to define the textures of the stone, the hieroglyphs carved into the obelisk, and the atmospheric quality of the Roman sky. The clouds are rendered with dramatic, swirling strokes that contrast with the rigid, geometric precision of the monument. Small figures are placed at the base of the pedestal to provide a sense of scale, a common device in his vedute to communicate the sheer magnitude of the ruins he documented.
This work belongs to the broader project of documenting the architectural heritage of Rome. Piranesi moved beyond simple topographical recording, choosing instead to imbue his prints with a sense of historical weight. The etching reflects the eighteenth-century fascination with the Grand Tour and the scholarly pursuit of classical archaeology. By focusing on the obelisk, Piranesi draws attention to the layers of history present in the city, where Egyptian antiquity is repurposed within a Christian Roman context. The print remains a primary source for understanding the appearance of the piazza during the mid-eighteenth century, offering a view that is both technically precise and stylistically distinct. The clarity of the architectural forms, combined with the expressive treatment of the sky, demonstrates the technical skill that defined his career as a printmaker.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Egyptian Obelisk in the Piazza di S. Giovanni Laterano - Giovanni Battista Piranesi
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