The Explosion of the Delft Powder Magazine - Egbert Lievensz. van der Poel
Archival giclée
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Description
A dramatic historical depiction of the 1654 Delft explosion, capturing the immediate aftermath and human toll of the disaster in the Dutch Golden Age.
This painting depicts the aftermath of the Delft Thunderclap, a catastrophic explosion that occurred on 12 October 1654 when a powder magazine in the city centre ignited. Egbert Lievensz. van der Poel, who lived in Delft at the time, produced several versions of this event. This specific composition captures the immediate chaos and destruction following the blast. The foreground shows figures in various states of distress, some fleeing and others collapsed amidst the debris, while the background reveals the ruined cityscape under a heavy, smoke-filled sky.
The artist employs a sombre palette dominated by greys, browns, and muted ochres to convey the gravity of the disaster. The light source is concentrated on the smouldering ruins, creating a stark contrast against the dark, turbulent clouds that loom over the horizon. The architectural silhouettes of the city, including the distant towers, remain visible but damaged, providing a sense of scale to the devastation. Van der Poel was known for his depictions of fires and nocturnal scenes, and his experience with these subjects allows him to render the atmospheric effects of smoke and embers with precision.
This work functions as a historical record of a specific urban tragedy. It avoids idealisation, choosing instead to focus on the raw impact of the explosion on the local population and the physical environment. The composition draws the eye across the foreground, where the human element of the tragedy is most apparent, before receding into the wreckage of the city. By documenting the event shortly after it occurred, the artist provides a direct perspective on the vulnerability of seventeenth-century urban life. The painting remains a significant example of how Dutch artists of the period engaged with contemporary events, balancing documentary detail with the dramatic conventions of the time.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Explosion of the Delft Powder Magazine - Egbert Lievensz. van der Poel
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