The Finding of the Cup in Benjamin's Sack - Giacinto Gimignani
Archival giclée
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Description
A dynamic Baroque study in ink and wash depicting the biblical discovery of the silver cup in Benjamin's sack.
This drawing by Giacinto Gimignani depicts a dramatic moment from the Old Testament: the discovery of Joseph's silver cup in Benjamin's sack. As the narrative unfolds, the brothers of Joseph are confronted with the evidence of the alleged theft, a ruse orchestrated by Joseph to test their loyalty. Gimignani captures the tension of the scene through a crowded composition where figures are caught in various states of shock, confusion, and distress.
The artist employs a technique typical of the Roman Baroque period, using brown wash to create volume and depth, while white gouache highlights provide a sense of illumination across the figures. The drapery of the garments is rendered with fluid, calligraphic lines, suggesting movement and emotional agitation. The figures are arranged in a manner that directs the viewer's eye toward the central action, where the sack is opened and the cup revealed. The use of brown paper as a mid-tone allows the artist to balance shadows and highlights effectively, creating a cohesive visual space.
Giacinto Gimignani was a significant figure in the seventeenth-century Roman art scene, known for his ability to translate complex biblical narratives into dynamic visual compositions. His training under Pietro da Cortona is evident in the theatricality of the poses and the rhythmic arrangement of the group. This work functions as a preparatory study, demonstrating the artist's process in planning the spatial relationships and emotional weight of a larger painting. The focus remains on the psychological reaction of the brothers, rather than the architectural setting, which is left largely undefined. This approach ensures that the viewer's attention is fixed upon the human drama and the moral implications of the biblical story.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Finding of the Cup in Benjamin's Sack - Giacinto Gimignani
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