The Gleaners - Jean-François Millet
Archival giclée
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Description
A detailed etching by Jean-François Millet depicting three women gathering wheat in a field, capturing the reality of rural labour.
This etching captures the arduous labour of three women gathering leftover stalks of wheat after the main harvest. Jean-François Millet, a central figure of the Barbizon school, focused his attention on the rural working class. His work avoids the idealised depictions of peasant life common in the nineteenth century, choosing instead to present the physical strain and humble reality of agricultural work.
The composition is grounded by the three figures, whose bent postures create a rhythmic repetition across the foreground. Their forms are heavy and solid, suggesting the weight of their task. In the background, the artist includes the bustling activity of the main harvest, which contrasts with the isolation of the gleaners. The sky is filled with a flock of birds, adding a sense of scale to the open field.
Millet utilised the etching medium to explore light and shadow through varying densities of line. The cross-hatching on the clothing and the ground provides texture, while the open areas of the paper suggest the bright, dusty atmosphere of a late summer day. This print reflects the artist's deep familiarity with the French countryside, where he lived and worked for much of his career. By choosing to depict the poorest members of the rural community, Millet brought a quiet dignity to a subject often overlooked by his contemporaries. The work remains a clear observation of social hierarchy and the repetitive nature of manual labour.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Gleaners - Jean-François Millet
Artist Biography
Jean Francois Millet
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
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