The Golden Fleece - Tom Roberts
Archival giclée
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Description
A detailed depiction of shearers at work in a New South Wales shearing shed, capturing the physical labour of the Australian wool industry in 1894.
The Golden Fleece depicts the interior of a shearing shed at Newstead Station, near Inverell in New South Wales. Tom Roberts, a central figure of the Heidelberg School, travelled to the station in 1894 to observe the shearing process firsthand. He spent several weeks sketching the workers and the environment to ensure the accuracy of his portrayal.
The composition is organised around the rhythmic, repetitive actions of the shearers. Each man is captured in a distinct stage of the process, from the initial removal of the wool to the final sorting. The shed is bathed in a warm, golden light that filters through the open sides, illuminating the dust motes and the texture of the fleece. Roberts uses a palette dominated by earthy browns, ochres, and muted creams, which reflects the dusty, utilitarian nature of the shearing shed.
This work documents a specific period in Australian economic history, focusing on the wool industry that drove much of the nation's development during the late nineteenth century. Roberts avoids romanticising the labour, choosing instead to present the physical exertion and the concentration required by the shearers. The figures are rendered with a focus on anatomical realism and the weight of their movements. The open structure of the shed allows for a view into the surrounding paddocks, providing a sense of the vastness of the Australian interior. The painting remains a primary example of the artist's interest in capturing the realities of work and the character of the Australian environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Golden Fleece - Tom Roberts
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