The hazards of shaking a plum tree too vigorously, when one too is mature - Honoré Daumier
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Description
A satirical lithograph by Honoré Daumier depicting a man in a precarious situation while harvesting fruit, capturing the artist's signature observational humour.
Honoré Daumier, a master of French caricature, produced this lithograph during a period when he frequently critiqued the social and political behaviours of the Parisian bourgeoisie. The image depicts a man who has climbed a tree to harvest fruit, only to find himself in a precarious position as the branch begins to snap under his weight. His top hat falls away, and his expression conveys a mixture of surprise and impending misfortune. Below him, a woman watches the scene with a look of concern or perhaps resignation.
Daumier uses his characteristic lithographic technique to capture the absurdity of the situation. His lines are fluid, yet they possess a weight that defines the physical struggle of the figure. The composition focuses on the verticality of the man and the tree, contrasting the man's awkward, suspended state with the stability of the ground below. The work functions as a visual metaphor for overreaching or the consequences of ill-considered ambition, themes that appear often in Daumier's broader body of work for publications such as Le Charivari.
This print demonstrates Daumier's ability to observe human folly with a sharp, analytical eye. He avoids moralising, preferring instead to present the scene with a dry, observational humour. The textures of the tree bark and the clothing are rendered with economical strokes, typical of his mature style. By focusing on the physical comedy of the moment, Daumier invites the viewer to consider the fragility of status and the inevitable results of excessive zeal. The work remains a fine example of nineteenth-century satirical printmaking, reflecting the artist's keen interest in the everyday lives and misadventures of his contemporaries.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The hazards of shaking a plum tree too vigorously, when one too is mature - Honoré Daumier
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