The Holy Family with the Infant Saint John the Baptist - Garofalo
Archival giclée
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Description
A classic High Renaissance depiction of the Holy Family by the Ferrarese master Garofalo, featuring soft modelling and a serene landscape background.
Benvenuto Tisi, known as Garofalo, was a central figure of the Ferrarese school during the Italian Renaissance. This work depicts the Holy Family alongside the infant Saint John the Baptist, a common subject that allowed artists to explore domestic intimacy within a sacred context. The composition is structured with the Virgin Mary seated centrally, holding the Christ Child, while Saint Joseph and the young Saint John the Baptist are positioned to the right. The figures are set against a backdrop of classical architectural ruins and a distant, atmospheric mountain range, which reflects the influence of Raphael and the Venetian school on Garofalo's practice.
The painting is characterised by a balanced arrangement of figures, typical of the High Renaissance style. Garofalo employs a soft, sfumato-like application of paint to model the faces and limbs of the figures, creating a sense of volume and physical presence. The colour palette is composed of deep reds, blues, and earthy ochres, which provide a sense of harmony across the panel. The arched top of the painting suggests it was originally intended for an ecclesiastical setting, perhaps as part of a larger altarpiece or a private devotional frame.
Garofalo was known for his ability to synthesise the classicism of Rome with the more decorative tendencies of his native Ferrara. In this piece, the attention to the textures of the drapery and the careful rendering of the landscape details demonstrate his technical precision. The interaction between the children, with the Christ Child reaching towards his cousin, introduces a narrative element that softens the formality of the religious subject. This print captures the subtle gradations of light and shadow present in the original panel, offering a clear view of the artist's approach to human form and spatial depth.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Holy Family with the Infant Saint John the Baptist - Garofalo
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