The House of Van Gogh (Arles, place Lamartine) - Paul Signac
Archival giclée
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Description
A delicate watercolour and ink study by Paul Signac, capturing the Arles building famously inhabited by Vincent van Gogh.
This work by Paul Signac depicts the building in Arles, France, famously occupied by Vincent van Gogh during his time in the south. Executed in 1933, the piece captures the location with a sense of immediacy and historical reflection. Signac, a central figure in the development of Neo-Impressionism, employs a technique here that prioritises fluid, calligraphic ink lines paired with washes of colour. The composition focuses on the architectural form of the building, specifically the ground floor storefront, which is rendered with a light, airy touch that contrasts with the more rigid structures of his earlier pointillist works.
The artist uses a palette of yellows, greens, and blues to suggest the Mediterranean light of Arles. The trees in the foreground are sketched with loose, rhythmic strokes, framing the building and providing a sense of depth to the street scene. Signac visited Arles in 1933, returning to the site that had been immortalised by his friend decades earlier. The inscription at the bottom right confirms the location and date, providing a direct link to the artist's personal journey and his interest in the history of the modern movement.
Unlike the methodical application of dots seen in his earlier canvases, this watercolour demonstrates a more spontaneous approach to observation. The paper remains visible in many areas, allowing the white ground to contribute to the overall luminosity of the scene. The work functions as both a topographical record and a personal homage to the environment that shaped Van Gogh's late period. It offers a view into the intersection of personal memory and artistic documentation, presented through the lens of a master of colour theory who had moved toward a more liberated, expressive style in his later years.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The House of Van Gogh (Arles, place Lamartine) - Paul Signac
Artist Biography
Paul Signac
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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