The Lamentation of Christ - Theodor Matham
Archival giclée
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Description
A detailed 1629 engraving by Theodor Matham depicting the Lamentation of Christ, featuring precise line work and traditional religious iconography.
This engraving by Theodor Matham, dated 1629, depicts the Lamentation of Christ, a subject frequently explored in Northern European art. The composition follows a traditional arrangement, placing the lifeless body of Christ in the foreground, surrounded by mourning figures. The artist employs a dense network of lines to define the anatomical forms and the heavy folds of drapery, characteristic of the technical precision found in seventeenth-century Dutch printmaking.
In the foreground, the figures of the Virgin Mary and other mourners display expressions of grief. The body of Christ lies upon a white shroud, with the crown of thorns and discarded nails positioned near his feet. This inclusion of symbolic objects serves to ground the narrative in the immediate aftermath of the Crucifixion. The background provides a wider view of the event, showing the crosses on Golgotha and figures engaged in the preparations for burial. The transition from the intimate, sorrowful scene in the foreground to the expansive, hilly terrain in the distance creates a sense of spatial depth.
Matham, a member of a prominent family of engravers, demonstrates a high level of control over the burin. The cross-hatching techniques used to create shadow and volume are applied with consistency, ensuring that the figures remain distinct from the rocky, uneven ground. The inclusion of Latin text at the base of the print provides a theological framework for the image, inviting the viewer to contemplate the suffering and sacrifice represented. This work reflects the period's interest in combining technical mastery with devotional subject matter, resulting in a print that functions as both a display of skill and a tool for religious reflection. The balanced composition and attention to detail offer a clear window into the aesthetic priorities of the Dutch Golden Age.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Lamentation of Christ - Theodor Matham
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