The Linley Sisters (Mrs. Sheridan and Mrs. Tickell) - Thomas Gainsborough
Archival giclée
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Description
A double portrait of Elizabeth Ann Sheridan and Mary Tickell by Thomas Gainsborough, capturing the sisters in a relaxed, naturalistic setting.
Thomas Gainsborough painted this double portrait of Elizabeth Ann Sheridan and Mary Tickell, daughters of the composer Thomas Linley, in 1772. The sisters were celebrated musicians in their own right, and Gainsborough, a keen amateur musician, maintained a close friendship with the family. The work depicts the two women in a woodland setting, a characteristic choice for the artist, who often preferred to place his sitters within a natural environment rather than a formal interior.
Elizabeth, standing on the left, rests her arm upon the shoulder of her seated sister, Mary. The composition relies on the interplay between their figures and the surrounding foliage. Gainsborough employs his signature fluid brushwork, particularly in the rendering of the silk dresses. The cool blue of Elizabeth's gown contrasts with the warm, golden-brown tones of Mary's attire, creating a visual balance that draws the eye across the canvas. The sisters hold a music score, a detail that acknowledges their professional background and personal interests.
This portrait demonstrates Gainsborough's ability to capture a sense of intimacy and ease. Unlike the rigid, formal poses common in eighteenth-century portraiture, the sisters appear relaxed and engaged with one another. The background, while dark and atmospheric, provides a sense of depth without distracting from the primary subjects. The painting remains a fine example of Gainsborough's mature style, where his interest in the natural world merges with his skill in capturing the likeness and character of his sitters. The work is currently held in the collection of the Dulwich Picture Gallery in London.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Linley Sisters (Mrs. Sheridan and Mrs. Tickell) - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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