The Manner of Making their Boats - Theodor de Bry
Archival giclée
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Description
A detailed 1590 engraving by Theodor de Bry depicting the indigenous Secotan method of constructing a dugout canoe using controlled fire.
This engraving, titled The Manner of Making their Boats, originates from the 1590 publication of Thomas Hariot's A Briefe and True Report of the New Found Land of Virginia. Theodor de Bry, a Flemish engraver and publisher, produced these images based on the original watercolour sketches of John White, an artist who accompanied the 1585 expedition to Roanoke. The print depicts the indigenous Secotan people constructing a dugout canoe, a process involving controlled fire to hollow out a tree trunk.
De Bry utilised the burin to create precise, rhythmic lines that define the musculature of the figures and the texture of the wood. The composition is structured to provide a clear, instructional view of the technical process. One figure uses a fan to stoke the flames, while another scrapes the charred interior of the log. The background shows additional figures engaged in similar tasks, providing context for the communal nature of the work. The smoke is rendered with swirling, circular lines, a stylistic choice typical of late sixteenth-century European printmaking.
While the image aims to document the customs of the indigenous population of the Americas for a European audience, it is filtered through the aesthetic conventions of the period. The figures are depicted with anatomical proportions influenced by classical European art, rather than direct observation. This work remains a primary source for understanding the early contact period between European explorers and the peoples of the Atlantic coast of North America. It offers a window into the technological practices of the Secotan, captured through the lens of Renaissance print culture. The clarity of the engraving technique ensures that the details of the tools and the method of construction remain legible, providing a record of maritime craftsmanship from the late sixteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Manner of Making their Boats - Theodor de Bry
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