The Miraculous Draught of Fishes - Raphael
Archival giclée
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Description
A detailed study of the biblical scene showing the fishermen hauling their nets as Christ sits in the boat, rendered in pen and ink with wash.
This work depicts the biblical narrative of the miraculous draught of fishes, a scene where Christ instructs his disciples to cast their nets into the Sea of Galilee. The composition focuses on the physical exertion of the fishermen as they haul in a heavy catch, while Christ sits calmly in the stern of the boat. Raphael employs a clear, rhythmic arrangement of figures to convey the weight and movement of the task. The figures are rendered with fluid lines and tonal washes, which define their musculature and the folds of their garments.
The scene is set against a simplified background, allowing the viewer to focus on the interaction between the figures. The boat, tilted by the weight of the nets, creates a sense of instability that contrasts with the steady presence of Christ. The artist uses light and shadow to model the forms, giving the figures a sculptural quality. This study reflects the preparatory methods used during the High Renaissance, where artists explored composition and gesture before finalising larger commissions. The inclusion of the date 1609 in the lower corner indicates this specific print was produced later, likely as a reproduction of the original design. The work demonstrates a mastery of human anatomy and narrative clarity, typical of the artist's approach to religious subjects. The balance between the active fishermen and the serene figure of Christ creates a visual tension that directs the eye across the frame. This print offers a view into the creative process of one of the most influential figures of the Italian Renaissance, capturing the essence of the original composition through precise line work and subtle shading.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Miraculous Draught of Fishes - Raphael
Artist Biography
Raphael
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
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