The Numerous Company of the Ruined - Giuseppe Maria Mitelli
Archival giclée
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Description
A satirical etching by Giuseppe Maria Mitelli depicting a procession of figures who have fallen into ruin through various vices and misfortunes.
Giuseppe Maria Mitelli, a prolific printmaker from Bologna, produced this etching as a biting social commentary on the various paths to personal ruin. The composition presents a procession of six figures, each representing a specific vice or misfortune that has led to their destitution. The title, inscribed at the top, translates to 'This is the numerous company of the ruined, which one enters without memorials or recommendations.'
Each figure is labelled with a short Italian phrase explaining their downfall. From left to right, the causes include failed mercantile ventures, excessive litigation, vanity through extravagant fashion, gambling, the pursuit of alchemy, and poverty attributed to divine will. Mitelli employs a caricatured style, using expressive facial features and tattered clothing to convey the moral failings of his subjects. The etching technique allows for fine detail in the accessories, such as the alchemist's furnace and the gambler's scattered cards, which serve as visual shorthand for their respective obsessions.
Mitelli was well known for his moralising prints, which often targeted the social hierarchies and common follies of seventeenth-century Italy. His work frequently combined humour with a didactic purpose, reflecting the broader cultural interest in satire during the period. The figures are arranged in a linear, frieze-like manner against a plain background, ensuring the focus remains on their individual narratives and the accompanying text. This print offers a window into the social anxieties of the era, where the line between prosperity and ruin was often perceived as thin. The work is a fine example of the artist's ability to blend observation with moral instruction, rendered with the technical precision characteristic of his mature period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Numerous Company of the Ruined - Giuseppe Maria Mitelli
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