The Picture Seller - François Fortuné Antoine Férogio
Archival giclée
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Description
A nineteenth-century lithograph depicting an itinerant merchant selling religious prints from the back of a donkey in a town square.
This lithograph, titled Le Marchand d'Images, captures a scene of itinerant commerce in a nineteenth-century town square. François Fortuné Antoine Férogio depicts a travelling merchant accompanied by a donkey, which serves as a mobile display for his religious wares. The animal is laden with framed prints of sacred figures, including a small shrine mounted on its back, while the merchant himself holds a depiction of the Crucifixion for the inspection of a small group of onlookers. A woman and two children observe the goods with curiosity, their posture suggesting a quiet, domestic engagement with the religious iconography on offer.
The composition is structured around the central figure of the donkey, which acts as the axis for the narrative. The background provides a sense of place, with architectural elements suggesting a Mediterranean or Italianate setting, common in the picturesque genre works of the period. The artist employs a delicate line quality, characteristic of mid-nineteenth-century lithographic techniques, which allows for fine detail in the clothing and the facial expressions of the figures. The hand-applied colour is restrained, focusing attention on the figures and the items for sale rather than the surrounding environment.
Férogio, a French artist known for his work in lithography and painting, often explored themes of daily life and travel. This piece, published by Gihaut frères, reflects the nineteenth-century interest in documenting the varied trades and social types found within European society. The inclusion of a small vignette at the bottom, featuring children and the title of the work, is a stylistic choice typical of the period's print culture. The work provides a glimpse into the distribution of religious art before the advent of mass-produced photography, showing how such items reached the public through mobile vendors.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Picture Seller - François Fortuné Antoine Férogio
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