The Posting Station at Shimada - Utagawa Kunisada
Archival giclée
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Description
An authentic shunga woodblock print by Utagawa Kunisada, depicting an intimate scene set against the backdrop of a busy Japanese river crossing.
This woodblock print by Utagawa Kunisada belongs to the genre of shunga, or erotic art, which flourished during the Edo period in Japan. Kunisada, a prolific designer of ukiyo-e, produced numerous works depicting the private lives of figures from various social strata. This specific composition, titled The Posting Station at Shimada, situates the subjects within a domestic interior that opens onto a view of a river crossing. The background features a bustling scene of travellers and boats, providing a contrast to the intimate encounter occurring in the foreground.
The print employs the characteristic flat perspective and bold outlines common to the ukiyo-e tradition. Kunisada uses a palette of muted earth tones, punctuated by the deep red of the fabric draped across the male figure. The composition is structured to draw the eye toward the central interaction, while the surrounding elements, such as the discarded garments and the open architectural frame, ground the scene in a specific, albeit stylised, reality. The inclusion of text within the image area is typical of the period, often serving to provide context or poetic commentary on the subject matter.
As a practitioner of the Utagawa school, Kunisada was known for his technical precision and his ability to capture the fashions and social habits of his time. This work reflects the broader cultural interest in the Tōkaidō road, a major route connecting Edo and Kyoto, which served as a frequent subject for artists. By placing an erotic scene within a recognisable travel location, the artist blends the mundane aspects of daily life with the private sphere. The print remains a significant example of the graphic techniques used in nineteenth-century Japanese printmaking, demonstrating the balance between decorative pattern and narrative detail.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Posting Station at Shimada - Utagawa Kunisada
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