The Prophet Isaiah - Raphael
Archival giclée
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Made to order
Description
A fine art print of Raphael's fresco, The Prophet Isaiah, depicting the biblical figure with sculptural form and balanced composition.
Painted between 1511 and 1512, this fresco of the Prophet Isaiah is located in the church of Sant'Agostino in Rome. Raphael executed this work during his period of activity in the Vatican, and the influence of Michelangelo is evident in the muscularity and the sculptural quality of the figure. The prophet is depicted in a seated position, holding a scroll inscribed with Hebrew text, which refers to the salvation of the city. He is flanked by two putti who hold a tablet above his head, providing a sense of balance and symmetry to the composition.
The colour palette is characteristic of Raphael's mature style, featuring a bold contrast between the deep blue of the prophet's tunic and the bright, golden-yellow drapery that cascades over his lap. The anatomical precision and the weight of the fabric demonstrate the artist's mastery of form and light. The figure of Isaiah appears to be caught in a moment of contemplation, his gaze directed slightly away from the viewer, suggesting an internal focus. The architectural setting behind the figures provides a sense of depth, while the putti add a decorative element that softens the gravity of the subject matter. This work remains a clear example of the High Renaissance aesthetic, where humanistic ideals and religious themes are synthesised through technical skill and balanced composition. The fresco has undergone various restorations over the centuries, yet the strength of the original design remains visible, offering a view into the artistic climate of early sixteenth-century Rome.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Prophet Isaiah - Raphael
Artist Biography
Raphael
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
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