The Rabbit Pellets Seller - Anne Claude de Thubières, comte de Caylus
Archival giclée
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Description
A detailed eighteenth-century etching depicting a Parisian street vendor, based on the observations of Edmé Bouchardon.
This etching depicts a street vendor, known as a rabbit pellets seller, captured in a moment of professional activity. The figure stands in profile, wearing a simple cap and a heavy cloak, holding a bundle of skins or pelts. The composition is derived from the drawings of Edmé Bouchardon, a sculptor and draughtsman whose observations of Parisian street life were widely circulated through prints during the eighteenth century. The artist, the comte de Caylus, was a significant figure in the French Enlightenment, known for his antiquarian interests and his efforts to document the social fabric of his time through the medium of etching.
The print employs a precise, linear technique to define the textures of the vendor's clothing and the surrounding architectural elements. A stone wall with a recessed niche containing a vessel provides a stark, utilitarian backdrop, grounding the subject in a recognisable urban environment. The shading is achieved through controlled cross-hatching, which creates a sense of volume and depth without relying on atmospheric effects. The vendor's posture, with his mouth slightly open as if calling out to potential customers, conveys a sense of immediacy and realism characteristic of the genre.
This work belongs to a broader tradition of 'Cris de Paris' (Cries of Paris), a series of prints documenting the various tradespeople who populated the streets of the capital. These images served as both social commentary and artistic exercises in capturing the human form in motion. By focusing on the mundane details of daily commerce, the artist provides a window into the economic life of the period. The print is a fine example of the collaborative nature of eighteenth-century printmaking, where the designs of prominent artists were translated into copperplate by skilled amateurs and professionals alike, ensuring their wider dissemination among collectors and the public.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Rabbit Pellets Seller - Anne Claude de Thubières, comte de Caylus
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