The Raising of the Brazen Serpent - Veit Rudolf Specklin
Archival giclée
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Description
A sixteenth-century woodcut by Veit Rudolf Specklin depicting the biblical narrative of the Brazen Serpent.
This woodcut depicts the biblical narrative of the Brazen Serpent, a story found in the Book of Numbers. Veit Rudolf Specklin, a German artist active during the sixteenth century, employs the characteristic graphic language of the period to render this scene. The composition centres on a T-shaped cross, around which a serpent is coiled, serving as the instrument of salvation for the Israelites afflicted by venomous snakes.
To the right, a bearded figure, likely Moses, gestures towards the cross, directing the attention of the suffering figures scattered across the foreground. The background features a camp of tents, providing context to the nomadic setting of the Israelites. Specklin uses clear, decisive lines to define the figures and the surrounding terrain. The shading is achieved through parallel hatching, a common technique in woodcut production of the era, which creates a sense of volume and texture despite the two-dimensional nature of the medium.
The work reflects the didactic nature of religious art in the Northern Renaissance, where visual narratives were produced to communicate theological concepts to a broad audience. The figures are depicted in contemporary sixteenth-century dress, a common practice that brought biblical events into the immediate experience of the viewer. The stark contrast between the black ink and the paper surface emphasises the clarity of the narrative, ensuring that the central action remains legible. This print is an example of the technical proficiency found in German woodcut workshops, where artists balanced narrative detail with the constraints of the carved block. The work remains a clear representation of the period's approach to biblical illustration, focusing on the direct communication of the story through established iconographic conventions.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Raising of the Brazen Serpent - Veit Rudolf Specklin
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