The Returning Herd - Peter Moran
Archival giclée
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Description
A detailed 1888 etching by Peter Moran depicting a herd of cattle crossing a stream, based on an original painting by Friedrich Johann Voltz.
The Returning Herd is an etching by Peter Moran, produced in 1888. The work is based on an original painting by the German artist Friedrich Johann Voltz. Moran, a member of a prominent family of American artists, was well-regarded for his technical skill in etching, a medium he used to translate the tonal qualities of oil paintings into monochrome prints.
The composition depicts a group of cattle moving through a shallow stream at the edge of a wooded area. A herdsman stands in the background, guiding the animals as they approach the water. The scene captures a quiet, rural moment, typical of the pastoral subjects popular in late 19th-century printmaking. Moran employs a variety of line weights and cross-hatching techniques to define the textures of the cattle, the foliage, and the water. The dense cluster of trees on the left provides a dark contrast to the lighter, more open sky on the right, creating a sense of depth within the frame.
This print reflects the collaborative nature of 19th-century art reproduction, where etchers were commissioned to interpret the works of contemporary painters for a wider audience. The inclusion of the copyright notice by Gebbie & Co. at the bottom indicates its distribution as a commercial art print during the period. The work demonstrates Moran's ability to maintain the atmospheric quality of the original painting while adapting it to the specific requirements of the etching plate. It remains a clear example of the technical precision found in American printmaking of the late 1800s.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Returning Herd - Peter Moran
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