The Reward for Fulfilling the Tasks - Adriaen Collaert
Archival giclée
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Description
A detailed sixteenth-century Flemish engraving by Adriaen Collaert, depicting an allegorical scene of virtues guiding a chariot through the heavens.
This engraving by Adriaen Collaert, a prominent member of the Antwerp school of printmakers, belongs to a series exploring moral and theological themes. The composition presents a complex allegorical scene, where figures representing virtues guide a chariot through the heavens. Charitas, or Charity, is depicted as a central figure, overseeing the connection between the earthly figures and the divine realm. To the right, Fides (Faith) and Spes (Hope) pull the chariot, their forms rendered with the fluid, elongated proportions characteristic of the Mannerist period.
The print demonstrates the technical precision of the Flemish engraving tradition. Collaert employs a variety of hatching techniques to create depth and texture, from the soft, billowing clouds to the metallic sheen of the chariot wheels. The inclusion of Latin inscriptions at the base provides a didactic framework, typical of late sixteenth-century prints intended for scholarly or religious contemplation. The presence of the Hebrew tetragrammaton in the upper right corner signifies the divine source of the virtues, grounding the allegorical narrative in a specific theological context.
Collaert was part of a wider network of artists associated with the publisher Philips Galle. His work often involved translating the designs of other artists into the medium of engraving, though he also produced original compositions. This particular work reflects the intellectual climate of the Low Countries during the late Renaissance, where classical iconography and Christian doctrine were frequently synthesised. The attention to detail, such as the eagle and her brood resting upon the chariot, adds a layer of naturalistic symbolism to the otherwise ethereal scene. The print remains a clear example of the sophisticated visual language used to communicate complex moral hierarchies in early modern Europe.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Reward for Fulfilling the Tasks - Adriaen Collaert
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